* Mr. Producer, teach your announcers that not every driver is a "great" driver, not every race is a "great" race, and that when a driver spins or wrecks without cause it is not a "tough break." When a mistake is made, say so. Let's call this the Phil Parsons Rule.
* Have them learn the difference between "strategy" and "tactics."
* No asking questions that presuppose the answer. ("You're OK, yes?") Call this the Jeanne Zelasko Rule.
* Ban the following maddenly inane questions: "How's your hot rod?"; "Can you do it today?"; How does it feel?"; "What would a win mean to you?" It's a firing offense for any pit reporter to say to an interview subject: "Talk about . . . " That is NOT a question. These people claim to be broadcast journalists and a basic journalistic skill is to be able to ask meaningful questions.
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* Put a restrictor plate on Allen Bestwick's laugh.
* I like Matt Yocum, but Matt as Amahad Rashad to Tony Stewart's Michael Jordan has got to end.
* No cameras or microphone-holders in the vehicles with drivers during pre-race parade laps, which exist so the paying customers can see their favorites, and get a wave in return. That's the fans' time, not TV's.
* Rain can "postpone" a race, not "cancel" it. Again, learn the difference. Starts aren't hurried-up because "weather" is approaching. A sunny sky is "weather," too.
* Send "Wally's World" and its copycats to Pluto. A waste of time that does nothing to add to the viewer's knowledge. It does, however, pump-up some egos like an over-inflated Goodyear.
* Jamie Little would be very, very wise to try a different act in NASCAR than she did in the IRL. Otherwise, a certain constituency will have her run off faster than Dale Earnhardt Jr. sells beer, cars and jeans.
* Eliminate use of "we" and "our" as an attempt to attach the announcer to the sport. As in, "We award bonus points . . ." and "Our points leader . . . " NASCAR officials determine those competition issues, not the TV people.
* Stop making it sound like a driver might not want to succeed. As in, "He has to make that pass if he wants to win." Is there any doubt a driver wants to win? If so, now THERE'S A STORY!
* No more telling us how "exciting" the action is. We'll decide that for ourselves.
* When a driver or crew chief is kind enough to interrupt business during a race to speak to an announcer, they should not have to listen to a long-winded speech before getting the chance to respond. Get to the point and just ask your question!
* End the self-serving praise ("Great job you guys!") for the pit reporters and cameramen. Hey, it's their job to do a great job! And if it really is great, the Emmy voters will know it.
* Never, ever, again talk about a driver getting a "mulligan" during the Chase. That is a do-over. There is no-such-thing in racing.
* Except in the worst-case scenario, it is never acceptable to use the words "dead" and "killed." As in, "He came to a dead-stop." Or, "He killed that car." Think about it.
* No pre-race shows should be longer than what the broadcast networks do before a regular-season NFL game. That means a maximum of one hour from on-air to the green flag.
* Stop turning announcers into MCs. Interviews done for the TV audience shouldn't be blasted through the track's PA system, which only serves to turn the TV type into a cheerleader for the crowd. (Examples: Jerry Punch on ABC's IRL championship ceremony post-Chicagoland and SPEED's Knoxville Nationals production.) Those are two different kinds of interviews which serve two different purposes. Let the speedway's own announcer entertain the ticket buyers.
* Give every last remaining "Boogity, Boogity, Boogity" T-shirt on the planet to the NBC production crew as a parting gift.
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I will politely repeat my suggestion of the other week: SPEED should follow the example of other media organizations, including ESPN, and hire an independent Ombudsman as a viewer advocate.
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[ more Blogging the Chase next Tuesday, if not before . . . ]